Kraftwerk is the
epitome of nerdy electronic sounds combined with the most ingenious engineered
computer generated audio artistry that has ever been created by humans. It was
Ralph Hutter and Florian Schneider who brought into the group Henning Schmitz
and Stefan Pfaffe. The latter two were only studio musicians at first.
Kraftwerk invented the application of electronic sound for music. They
pioneered years of original music that captured the attention of fans, artists,
and producers. Some of their albums were more successful with fans, and others
with producers or artists, who found new ways to build on their musical
discoveries. Kraftwerk sowed seeds of sounds that would be used by a multitude
of different genres incorporating electronics into music, from pop to punk,
rock to funk. They very strongly influenced David Bowie, Brian Eno, Gary Numan,
Depeche Mode, and a myriad of others, and even more (indirectly) up to the
present day. Half of Germany was Communist and half was free. They successfully
marketed the group in both worlds (usually without them knowing it).
The albums released
between 1974 and 1981 were first about Europe and travel. The Autobahn album
reached number 5 in the U.S. and Canada, and number 4 in the U.K in 1974. It
had influences from, and a slight resemblance to, the Beach Boys. It was very
strong conceptually as were the next few albums. They contained themes about
trains and electronic vocabulary. The albums were focused a little on them
being seen as robotic. The Man Machine, the last of this time period was not as
strong conceptually. It would also begin to show that they were not man
machines and robotic, but more human. *1 http://www.veoh.com/watch/v17166226D39Jw7dc
There is a cold,
rigid feel of some of the music. Their studio was a large warehouse. *2 http://www.veoh.com/watch/v17166226D39Jw7dc
They created many of their instruments. This was before synthesizers came out.
After a few albums they would be begin utilizing the keyboards that had come
into existence. The album covers also portrayed this simple cookie cutter look
to amplify their concepts for each album, and the band as a whole. Their stage
presence was simple, uniform, and robot like.
No comments:
Post a Comment